THE GARAGE YEARS (One-Acts for Nightclubs, produced 1997-1998, 2002)
ABOUT              
UPCOMING              
COMPANY                
HISTORY 
PUNCHFACE TRILOGY 
GARAGE YEARS 
    ME6—276! 
    CORPUS              STRUWWELPETER 
    I WANNA START
                               A BAND 
    NO VOCAB MAN 
    THE BLACK BOX 
    STRAW BOSS 
    SEA MONKEYS 
    GOT BRAINS? 
    STOP THE MUSIC 
    PUBLIC SERVICE
           ANNOUNCEMENTS 
    THE MOLE 
    FREAKIN'
                 AMAZING CITY
IVAN THE FOOL
ACIS & GALATEA
CORRUPTION OF
                    THE SPECIES
THE DANUBE
STRANGE DEVICES
THE MAUIST
THE CRIME OF
                THE ASSISTANT
                MASTER BUTLER
THE NOBLEST
                           OF DRUGS
THE EDGE OF SPACE!!
WHY DO THE
               CHILDREN RUST?
OH, LENIN!
DANSE MACABRE
                        PART ONE
THE PUPPET
        LIBERATION FRONT
ANNUAL PUPPET FEST          2004
DANSE MACABRE
                        PART TWO
ANNUAL PUPPET FEST          2005
DANSE MACABRE
                        PART THREE
THE LONG CHRISTMAS
                        RIDE HOME
ANNUAL PUPPET FEST
         2006
ROT
MULTIMEDIA                
SUPPORT                
SHOP                
LINKS                       
CONTACT               

Bobbindoctrin’s Garage Years consists of plays that could hold the attention of a nightclub audience in venues normally reserved for local and touring bands. BPT core members had decided to play these venues as a means to take their puppetry directly to the audience who would most appreciate it, rather than drag their asses out to a theater. Another benefit was the ready availability of alcohol, which helped the audience ease into the relatively novel experience of these plays.

At their premiere show, Bobbindoctrin opened for Miss Murgatroid, who would tour the Northwest together in the summer of 1998 with Petra Hadyn.

As Bobbindoctrin built up a base of several shows, they would bundle a variety of old and new productions for each performance, bringing back old favorites while trying new experiments. The typical evening of nightclub shows had anywhere between three to seven of the following one-acts scheduled:

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