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Punchface Trilogy > Garage Years > Ivan the Fool > Acis & Galatea
Corruption of the Species > The Danube > Strange Devices > The Mauist
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The Garage Years (One-Acts for Nightclubs, 1997-1998)
ME6-276!
Corpus Struwwelpeter
I Wanna Start A Band
No Vocab Man
The Black Box
Straw Boss
Sea Monkeys
Got Brains?
Stop the Music
Public Service Announcements
The Mole
Freakin' Amazing City
 
Bobbindoctrin's Garage Years consists of plays that could hold the attention of a nightclub audience in venues normally reserved for local and touring bands. BPT core members had decided to play these venues as a means to take their puppetry directly to the audience who would most appreciate it, rather than drag their asses out to a theater. Another benefit was the ready availabilty of alcohol, which helped the audience ease into the relatively novel experience of these plays.

At their premiere show, Bobbindoctrin opened for Miss Murgatroid, who would tour the Northwest together in the summer of 1998 with Petra Hadyn.

As Bobbindoctrin built up a base of several shows, they would bundle a variety of old and new productions for each performance, bringing back old favorites while trying new experiments. The typical evening of nightclub shows had anywhere between three to seven of the one-acts scheduled.  
 

 

ME 6-276!

Based on an automobile license plate of the same name, 276 asserts its individualityand falls in love with 429, and their relationship and commonalities are expressed as mathematical equations. But the love story is soon trangulated and a errors result in fatality.

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Corpus Struwwelpeter

This is a series of plays centered on the theme of hermeneutics, which is the study of interpretation methodology. The hermeneutical slant here is that as that time passes, interpretations of works of art evolves alongside individual or societal perspective. In the case of Struwwelpeter, a bitter narrator tells stories, both familiar and unknown, and cannot disguise his contempt for their supposed morality.

The Struwwelpeter and Cruel Frederick characters are loosely based on the Heinrich Hoffmann children's poems. Here they have aged considerably and do not seem to have learned the lessons of their titular rhymes. Struwwlepeter (widely interpreted as Shockheaded Peter) still has poor grooming habits, and Frederick is as Cruel as ever, albeit with a heavy metal twist.

Cruel Frederick's Bag This story provides the framework for the narratives that follow. Struwwwlpeter works on his novel, play, poem, and finally a postcard-failing to complete any. Before he can commit suicide, Cruel Frederick appears with a bag of kidnapped children. They decide against conventional torture with knives and thumbscrews; instead, they decide to warp their little minds with the following stories:

 
 

Don't Beat Your Children Before They're Born

Based on a children's story from Iran, a man decides to have children, and realizes he must take a wife. Understanding that courtship costs money, he raises sheep for their wool. But his ranching skills are poor, and the endeavor impoverishes him. In a fit of starvation-induced hallucinations, he imagines the sheep as his insolent sons and beats them to death. The man then of course dies, and his decomposition is described in graphic detail.

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The Stuck-Up Kitty

Based on a children's book, printed in 1960 in and by The People's Republic of China, little Nui-nui creates a painting of a very pretty kitty. The kitty is so impressed with herself, she escapes the painting to embark upon the world and display her beauty to all. No one is impressed, and finally a group of workers coerce her to realize that she is merely a product of the hard work of the people. The kitty is then relegated back to the painting, which she aquiesces to with zombie-like clarity.

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Why People's Noses Run When They Catch Cold

Based on a Korean folktale young children tell each other, a prince is born with two penises. His horrible luck with women eventually explains why people's noses run when they catch cold.

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Just a Dog with a Bone

Three variations are of the Aesop's fable are presented, each perspective more cruel. A full description would only weaken the live experience, so we are sure to do this one any time we tour The Garage Years.

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R.I.P. Van Winkle

This is based on the Washington Irving tale, one of the first nonscripted Bobbindoctrin improvisations where Doug Spearman and Reverend Joel Parker get to strut their stuff. The premise is the same up to the point of the awakening, where Rip has learned to accept the changes but wants more. He sits at a bar and asks a series of questions about inevitable progress in technologies, annoying a random barfly. Typical improv:

RIP: Back before I went to sleep, they had these carriages and you had to have this horse to move 'em and what a pain in the ass with the feedin' and the 'Yah mule! Yah!' I always thought they might make a carriage that drove itself, without the horse. A horseless carriage. You got those yet?

BARFLY: Nope.

Et cetera.

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The Epilogue of the Princes and the Pea

Another Doug & Joel improv, it takes place after the main princess and the pea story. Now the prince and princess are now married, now king and queen, but the former princess is in shambles. She believes the mattress-and-pea-type testing is not over, and drives herself crazy trying to be perfect. Typical improv:

KING: What's for breakfast?

QUEEN: Breakfast! What's for breakfast? I have eggs, omelette form, bacon, pancakes, a leg of lamb, the rest of the lamb, there's fruit, lotsa fruit, from berries to melons. Is that enough? Huh? Did your mother cook a better breakfast? Am I doing it right? Am I passing the test? Huh? Huh?

KING: No, no, it's fine. Relax, you're queen now. Really.

Et cetera.

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The Wishing Tree

We'll probably never do this one again, but if you want to read the source, pick up Goose and Tomtom by David Rabe.

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I Wanna Start a Band

This play was part of The Garage Years premiere at Mary Jane's. In a bizzaro world where nightclubs such as Mary Jane's only host puppet show, musician Joel Orr asks Mary Jane's owner to book his novel new concept: a band. A symphony? asks Blunt. No, Orr replies, a band. Blunt: like, little ditties for children? And so on. Mayhem ensues.

Another act was written for Bobbindoctrin's 1997 Halloween show. It was a ghost story, not very good, and the franchise was abandoned.

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No Vocab Man

Written by David Handel, this is a tried and true Bobbindoctrin classic. No Vocab Man can only speak in sound effects and maybe a few conjunctions, and for this his friends Cy and Betty ridicule him mercilessly. As No Vocab Man learns to communicate, his friends remain unchanged, and he realizes that they never listened in the first place. The play ends with the requisite catastrophe.

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The Black Box

Daddy, Mommy and Jimitimi are a happy family. Daddy goes away to fly a plane, and the plane crashes. The plane's black box recorder preserves Daddy's last words: "No! Noooo! It's all so wrong! It's all so wrong! Nooooooaaaiiigghh!!!!" The recorder is returned to the family; Jimitimi is overjoyed and Mommy is horrified. The black box becomes an anthropomorphic substitute for Jimitimi's daddy, which drives Mommy increasingly insane. The play ends with the requisite catastrophe.

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Straw Boss

Written by David Handel, this story describes the history of the Straw Boss straw dispenser (almost everywhere where straws are available). The Straw Boss is a harsh taskmaster, rewarding straw acquiesence with sucking and discardment. The few straws who escape and assimilate into human society are in constant fear of Straw Boss capture. An honest and forthright metaphor of the woes of the opressed class.

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Sea Monkeys

This was a one-off for the 1997 Orange Show Art Car Parade Ball. It required a massive setup where we converted our puppet stage into a Sea Monkey aquarium. Then the actual sea monkeys come in. They grow in number, dwindle and die off. The end.

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Got Brains?

In the context of an infomercial, the announcer proclaims that yes, you too can take your one brain and double it several times, to dozens, hundreds and yes, thousands of brains! Complete with success testamonials. Call 1-800-GET-BRAINS.

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Public Service Announcements

This was supposed to be an ongoing series of several thousand, but after the first five, Orr realized this was foolhearty. Masked humans with interconnected clothing relate oblique and questionably helpful messages, then the resulting moral is cast on the shadow screen in German. Truly mindblowing. Truly useless.

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The Mole

Written by David Handel, The Mole is to date Bobbindoctrin's most base and unjustifiable production. In a decrepit old folk's home, Satanic grandparents summon The Mole from the depths of hell. The furry bastard wants to kill them immediately, but is intrigued by the old folks' deadly plans for their evil grandchildren. The Mole sets about serial executions of the offenders, and then returns to do in the codgers as promised, with a little extra torture in store.

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Freakin' Amazing City

This is a parody of a local phenomenon called The Power of Houston, a downtown laser/music/fireworks show hosted by Reliant Energy, the new energy concern in Houston. Entex, the gas company, and Houston Lighting & Power, the electric, were merging into one corporation, and that corporation chose to whitewash the whole affair with a dog and pony show, a "gift" to the citizens it was about to gauge. Rates went up right away. Yay! said the local populace. Thanks for wagging your hand in the air to distract my eyes and then punching me in the stomach in the classic Three Stooges fashion! Yay!

Bobbindoctrin version: a puppet, 3D miniature Houston Skyline gets the same fireworks show. Then the entire city burns down.

 
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